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・ Kiyoshi Mutō
・ Kiyoshi Myobudani
・ Kiyoshi Nakahata
・ Kiyoshi Nakamura
・ Kiyoshi Nakano
・ Kiyoshi Nishikawa
・ Kiyoshi Nishimura
・ Kiyoshi Nishiyama
・ Kiyoshi Nishiyama (handballer)
・ Kiyoshi Nobutoki
・ Kiyoshi Noda
・ Kiyoshi Ogawa
・ Kiyoshi Oka
・ Kiyoshi Okuma
・ Kiyoshi Saito
Kiyoshi Saitō
・ Kiyoshi Sakai
・ Kiyoshi Sasabe
・ Kiyoshi Sekiguchi
・ Kiyoshi Shiga
・ Kiyoshi Shigematsu
・ Kiyoshi Shiina
・ Kiyoshi Sonobe
・ Kiyoshi Suzuki
・ Kiyoshi Takayama
・ Kiyoshi Tamura
・ Kiyoshi Tanabe
・ Kiyoshi Tanimoto
・ Kiyoshi Tomizawa
・ Kiyoshi Toyoda


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Kiyoshi Saitō : ウィキペディア英語版
Kiyoshi Saitō

, was a ''sōsaku hanga'' artist in 20th-century Japan. In 1938, he issued his first prints in his now famous "Winter in Aizu" series. Saito was one of the first Japanese printmaking artists to have won at the São Paulo Biennale in 1951.
Saitō's early works depict villages populated with local Japanese with a high degree of realism and three-dimensionality. His more mature works merge modern elements with Japanese tradition. His prints feature architecture and plant life flattened in two-dimensionality.
He spent time in Paris, and did a series there.
==Further reading==
Harada, Minoru. ''The Life and Works of Kiyoshi Saito''. Tokyo: Abe Shuppan, 1990.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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